Bagdad is a severely dilapidated industrial building of uncertain origin, ownership, and purpose, half-built and never finished, located in the large inner courtyard of Vlaška 79-81 A, on three floors with the impressive total area of 4200 m2.
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The monumental bank palace situated at one of the busiest intersections in the narrow city centre is a representative work by the architect Hugo Ehrlich.
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The central part of King Zvonimir street, at the peripheral part of the neighbourhood, on the ground floor of the 1939 Gospodarska Sloga (Economic Agreement) building, housed the Znanje bookshop with its sophisticated modernist interior for years.
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The representative modernist building of the Croatian Medical Home, seat of the Croatian Medical Association, a public association of Croatian physicians, medical professionals and dentists, opened in 1937.
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The unassuming church with attractive exterior, dedicated to St. Peter, symbolically divides Vlaška street in half.
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The complex of former Badel and Gorica factories, located at the intersection of Martićeva and Šubićeva streets, across today’s Kvatrić market, is one of the neuralgic spots of the eastern part of the central city area.
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At the corner of Smičiklasova street, Martićeva street and the tiny Patačićkina street stands an impressive building that encloses the internal residential block. It was built in 1926/27 according to the architect Dionis Sunk’s design.
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The former bishop’s estate at the intersection of Vlaška and Vončinina streets was the seat of Maksimilijan Vrhovac’s earthly treasure. Vrhovac is responsible for the expansion and planning of the city of Zagreb at the end of the 18th century.
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Currently under restoration and reconstruction, the Rosinger House is considered one of the classic works of modern Croatian architecture in the ‘Martićeva zone’.
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A small but interesting old house that decorates the panorama of the upper part of Vlaška street is a valuable example of classicist architecture which is extremely important for Zagreb.
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Whether we call impressive building in the middle of Victims of Fascism Square a Mosque, Meštrović’s pavilion or Home of Visual Arts, it’s one of Zagreb’s most instantly recognizable architectural symbols.
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To this day, most citizens colloquially refer to this building simply as ‘Burza’ (‘stock exchange’).
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In the last several years, the Old Military Hospital served as a venue for several significant cultural events.
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Formerly owned by the Zagreb Archbishopry, today Little Vatican is a monumental cluster of residential apartments.
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Drago Ibler also designed another residential and building in the ‘Martićeva Zone’, the Wellisch House.
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The ‘Wooden Skyscraper’ stands out among other buildings in the neighbourhood with its vividness and vigour.
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Despite the relative deterioration, the ‘Vitić skyscraper’ is a highly desirable residential location.
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